Our tour marked the 35th anniversary of liberation from the communist regime in Romania, celebrating three and a half decades of artistic freedom. In this context, we released our latest album, Timelines, featuring eight pieces that blend influences from the musical folklore of eight former communist countries (Romania, Hungary, Bulgaria, Serbia, Slovakia, the Czech Republic, Poland, and Germany) in which we have toured in.

Some Polaroids to show you the story and the people behind it

© Dorel Gnatiuc (@shotbydrl)

Some dates to let you know where we’ve been and what you missed

12 . 10 // Cotroceni Bazar Festival, Bucharest, RO

13 . 10 // Oradea FestiFall 2024, Oradea, RO

14 . 10 // Romanian Atheneum, Bucharest, RO (x2)

16 . 10 // National Museum of Art, Timișoara, RO

17 . 10 // Edison JazzClub, Cluj-Napoca, RO

18 . 10 // Apollonia Centre, Brașov, RO

21 . 10 // Baku International Jazz Fest, Baku, AZ

23 . 10 // IF Jazz Club, Budapest, HU

24 . 10 // Pygmalion Theatre, Vienna, AT

26 . 10 // Zwe Jazz Club, Vienna, AT

27 . 10 // Alchemia Klub, Krakow, PL

29 . 10 // MusicLab, Brno, CZ

30 . 10 // Bukowski Bar 2.0, Bratislava, SK

01 . 11 // Peppi Guggenheim, Berlin, DE

02 . 11 // Kirsten Kjærs Museum, Frøstrup, DK

03 . 11 // Center for Danish Jazz History, Aalborg, DK

05 . 11 // MG JazzClub, Mönchengladbach, DE

06 . 11 // Salon de Jazz, Köln, DE

08 . 11 // Faculty of Music, Belgrade, RS

08 . 11 // Bluz i Pivo, Belgrade, RS

09 . 11 // Schroedinger Bar, Sofia, BG

21 . 11 // National University of Music, Bucharest, RO

Proiect cultural co-finanțat de Administrația Fondului Cultural Național. Proiectul nu reprezintă în mod necesar poziția Administrației Fondului Cultural Național. AFCN nu este responsabilă de conținutul proiectului sau de modul în care rezultatele proiectului pot fi folosite. Acestea sunt în întregime responsabilitatea beneficiarului finanțării.

This cultural project is co-financed by the Administration of the National Cultural Fund. The project does not necessarily represent the position of the Administration of the National Cultural Fund. AFCN is not responsible for the content of the project or the way the project results may be used. These are entirely the responsibility of the funding beneficiary